Tag Archives: poem
Before All Our Lives Began To Change – poem
BEFORE ALL OUR LIVES BEGAN TO CHANGE
Before all our lives began to change
time was stretched between holidays like
carnavale lights and summer lasted forever
every year until Labor Day mysteriously
arrived again to change living to another circle
It seemed we played all the time — hair cuts on
darby horses and watermelon seed fights, building
castles of sand and jelly fish oozing against the
jetties, discovering the nest holes of horseshoe
crabs below the high tide line, and snow forts drifted
three stories every January and February, sledding
hellions down Cooperstown Road, the cold and snowflakes
cutting younger cheeks, with the excruciating pleasure
to do it, again Playing “I have a little umbrella,”
dragging the chair covers across the sand like dragon tails
or lizards or princesses Shrieking to begin hide-and-seek,
crouched under the crocheted orange and blue and brown
comforter — dying to be found and hoping that we would
never be discovered, because that discovery always
ended in a serious session of being tickled until we
could not breathe
But, then, living changed us into other circles,
other places, other people.
~ ~ ~ ~ ~
Dedicated ~ In Love and Memory to: Barbara Dunn Blossom, Genevieve Dunn, Helen Smith Dunn, Mahlon H. Dunn, Jr., Tacy Dunn SanAntonio
(c) 1997 Jessan Dunn (DeCredico) Otis ~ RHODE ISLAND WOMEN SPEAK: An Anthology of Authors and Artists, The Rhode Island Committee, The National Museum of Women in the Arts (NMWA), Ed. Rosemary W. Prisco, p.19.
~ ~ ~ ~ ~
The Cambridge Poem
T H E C A M B R I D G E P O E M ~ #poetry
Commencement Address – Class of 1990 – The Cambridge School, Weston, MA
Give your regards when you go to the reunion and at the dinner,
say that you were thinking about them They’ll, eventually, recall
your name; you went to the movies with that one, felt the weight
of their life when they sat next to you – they never said a word
All of you are rising friends: one used to play the piano, one once
wrote a play, one even seemed awakened enough to photograph the
fields as the unencumbered with tutored minds and unrehearsed passions
Meet them at the door, they’ve brought the souvenirs of time; a seashell
from the Pacific, the nose of a marble saint, and from the field
a spent casing divulged from the flower bed
Face a rising world bearing its gifts in its hands, kiss your incidental
dreams – rise, move away, take others
Give your regards to the well-protected; you knew them, you went
to school together There’s something to bury when you begin
to move away When you are ready and rich in your wish for the
world, you have a new race to start
From the heart of this darkened quadrangle, I hear the library
hum, an immense chorus of writers murmur inside their books along
the unlit, alphabetical shelves; each one stitched into their
own private coat, (you will have to write your own) together forming
a continuous, enormous breath of language
I picture a figure in the act of reading, shoes on the desk, head tilted
into the wind, a person in two worlds, holding the nape of their neck
as another’s life saturates the page; or, in the middle of a thesis,
moving from paragraph to verse, touring endless rooms (you will have to write your own)
I hear the voice of my mother and father reading and inside their
voices lay other, distant sounds
I see us reading ourselves away from ourselves, straining in circles of
light to find more light until the line of words becomes a trail
that we follow across a page and you will have to listen hard to
hear the voices going away (and, you will have to write your own).
© 1990 Jessan Dunn (DeCredico) Otis
Poetry as Narrative
THE RISK OF REAL GROUND
Stepping into air the woman falls
momentarily catching hair and nails
as on a wing or cliff or webs
First this, then that
Falling is water washing flesh away
it changes everything
begin to learn, again
Earth gives up pieces of itself so slowly
breathing passes through ash or oak or bone
amber perfume fills a room
A hand touches and moves away
you meet yourself
passing by a shattered glass
Say you understand, say you say
stand up, open your mouth
what are you standing on.
~ ~ ~ ~ ~
– for Todd Bartel, Joanna Barth, Miguel Calderon, Sean Coel, Jemima Farwell, Lael Jacobs,
Elizabeth Jackson Johnston, Blane Kieng, John McLaughlin, Anna Regnery, Charis SanAntonio,
and Jodi Schwartz
(c) 1986 Jessan Dunn (DeCredico) Otis
All We Are Are Our Stories
All We Are Are Our Stories
I’ve been told that the first human sound I ever heard was, most likely, laughter; as my mother looked over the drape, surrounded by a bevy of student nurses, and asked, “Over hand or feather stitch?” as Dr. Vorsick repaired her episiotomy.
This is where my story began. Since then, looking back, there’s no way I could have predicted nor anticipated the journey from then to now – just as well, I suspect.
All posts are my own, unless I invite someone to share their stories – with the exception, of course, of “Comments”. All credit where credit is due will be made.
There is only one primary and permanent guideline: play nice with the other children. This site/blog is open to all and any comments, opinions, and points of view. However, if what you write is inflammatory, bigoted, narrow-minded and/or hateful, I will delete it.
That rather unpleasant matter aside, I look forward to telling stories, sharing stories, listening to stories, and learning more as we all journey through this thing called Life.
Welcome!
What say you, please?
~ Jessan



