Weeding With My Mother – poem
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This place called home has shifted over the decades. Growing up the first several years, home was a Cape Cod-type bungalow, built just after WWII, in a suburb of New York City – commuting distance. The large tract of land behind our home was an old orchard farm. The barn still stood, slowly falling into disrepair. But, the apple trees! Oh, those acres of Granny Smith apple trees were magnificent!
Those trees had, obviously, been tended, pruned, and nurtured. The branches were smooth, easy to climb. The apples were tart/sweet, brilliant, sap green, and always in abundance. I used to climb those trees as the Granny Smiths ripened, perfuming the air with their plump greenness. The pruning created upward, smaller branches where some of the best fruit was.
Sitting among the apples, dangling my legs over smooth branches, crunching baby teeth into sun-warmed flesh that puckered my lips – was there anything better than that those days?
, or we don’t talk to the ones
who
know and survive
It is past time
to call you back again
The old ones are dead
Like water bright
in the eye
The brush of memory is too wide
And the surface is shimmered and wrong
Long afternoons listening
to the old woman about
her old women
The algae of remembering obscures
Again and again.
Jessan Dunn (DeCredico) Otis © 1985
Sailing With My Father
Historically a quiet man with an
extraordinarily dry wit
When sailing your quietude
became fierce, sailing on
the edge
The hand with a piece of shrapnel
from a war on the tiller, holding
steady
Face turned windward, eyes
noting obstacles, checking
cat tail direction
The rush of wind caught to
fill the sails
We were happy.
~ ~ ~ ~ ~
~ ~ ~ ~ ~
Dedicated, in Love and Memory, to my father, Mahlon Hendrickson Dunn, Jr., 1914-1992 / Until we meet again.
© Jessan Dunn Otis, August 6, 2018
Weeding With My Mother
I learned to weed a garden
squatting next to my mother
Once I began to learn what was wanted
and what was unwanted
The rest was easy
Bend down
Get my hands dirty
Smell the earth
Look carefully
Make clean spaces
Talk softly.
~ ~ ~ ~ ~
Dedicated with Love and Memory to Helen Constance Smith Dunn ~ 1912-1980 / Until we meet again.
© Jessan Dunn Otis, June 30, 2018
A new spin on K.I.S.S. ~ essay
Sitting in my science class in junior high school, my desk was at the back of the room, situated to look down one of those long hall ways.
Someone was out of class and shouted out, “You’re stupid!” to someone I couldn’t see. That echoed ’round that long, empty hallway and smacked me right in my gut. What an ugly word to shout at someone.
Years later someone shared K.I.S.S. with me and there was that ugly word again. Despicable.
I’d have none of that.
From that time forward I changed that last “S” to “Sweetie”. So much better.
Words have power. They can heal or they hurt.
Mind what flows through your lips. You are responsible for what you speak and what you don’t speak.
K(eep) I(t) S(imple) S(weetie).
K.I.S.S.
~~~~~
\
6:41 AM ~ poem
In this early morning, break-of-a-new day light
In this cooling, new-day air
I could live
forever.
(c) poem and photo credit – Jessan Dunn Otis|Writer – August 30, 2016
o k g ü z e l – poemfor Sarik, Lale, and Leyla – with Love
Your ash and smoke have
filled my skin
The silent music enlarges
my lungs
Celebrate and whisper on
each hand and eye that
loved me
Further than the green lights
from the opposite side
I love your home because
I know that you are there
From where I always stood
in the cool cathedral of the night
I could, at last, see further
than myself
Even stones spoke in an
eloquent tongue as soft
as flesh as liquid as constant,
washing water over turquoise tiles
and my mouth and hands and
feet were washed away
Leaving is another stone
that is dissolved in sleep
Mountains and snow are the
memory of separation in a
dream of leaving and coming back,
again.
(c) 1988, 2015 ~ Jessan Dunn (DeCredico) Otis
How Alan and I met is a short, surreal film. Walter Reed Hospital, January, 1970. Walking through miles of connecting corridors to find his ward. Once there, (in the older part of this hospital), two long rows of beds, his the last on the right; and, he was asleep. I waited in the solarium adjacent to that ward, just around the corner from his bed. Another injured vet rolled his wheelchair ’round the corner. He had no legs, missing just above both knees. He had a soft, Southern drawl. We talked, on and off, for almost an hour. Every once in awhile he’d wheel back, check and say, “No Ma’am, he’s still sleeping.” He and I were about the same age.
I was visiting, unannounced and completely unknown to Alan, delivering several copies of the Brown Alumni Magazine, in which was a beautifully written article by the Editor, Robert A. Reichley, about Alan and a fellow alum, both of whom had served in Vietnam, had been wounded, and wound up next to each other in that ward in Walter Reed. The other alum had since been discharged. Alan’s people were far away; and, he was alone. I also brought the review copy of a first novel, My Main Mother, written by another fellow alum, Barry Beckham. At that time, I worked for that magazine; and, my former spouse (a visual artist) was having a show in DC.
Just the walk through the corridors continues to be singularly memorable. Too many wounded. Not enough beds. Broken men, bandages, various body parts missing, unexpected sounds, unusual smells. As a younger woman, I made eye contact, said “Thank you.” and kept asking for further directions to get to that ward.
After he finally woke up, Alan and I talked for over three hours. We have sustained our friendship since. Operations. Healing. Law school. First marriage. More unexpected injuries from a lawnmower and a flying rock. Children. Divorce. Second marriage. Children marrying. Grandchildren.
Alan and I talked several days ago. We recalled (again) the circumstances of our first meeting and all that’s happened to each of us since. I recalled that piece I told him I would write once I got just the right words to describe the quality of light at the time he was hit. I mentioned it was finally finished. He didn’t even ask to see it. He knows he will.
There is no pain in these memories. There is nothing but love, honor, and respect.
This, also, goes out to my mother, Helen, and my father, Mahlon; both of whom served in World War II. Dad was awarded the Purple Heart. I have both their flags. Until we meet again…
BEFORE ALL OUR LIVES BEGAN TO CHANGE
Before all our lives began to change
time was stretched between holidays like
carnavale lights and summer lasted forever
every year until Labor Day mysteriously
arrived again to change living to another circle
It seemed we played all the time — hair cuts on
darby horses and watermelon seed fights, building
castles of sand and jelly fish oozing against the
jetties, discovering the nest holes of horseshoe
crabs below the high tide line, and snow forts drifted
three stories every January and February, sledding
hellions down Cooperstown Road, the cold and snowflakes
cutting younger cheeks, with the excruciating pleasure
to do it, again Playing “I have a little umbrella,”
dragging the chair covers across the sand like dragon tails
or lizards or princesses Shrieking to begin hide-and-seek,
crouched under the crocheted orange and blue and brown
comforter — dying to be found and hoping that we would
never be discovered, because that discovery always
ended in a serious session of being tickled until we
could not breathe
But, then, living changed us into other circles,
other places, other people.
~ ~ ~ ~ ~
Dedicated ~ In Love and Memory to: Barbara Dunn Blossom, Genevieve Dunn, Helen Smith Dunn, Mahlon H. Dunn, Jr., Tacy Dunn SanAntonio
(c) 1997 Jessan Dunn (DeCredico) Otis ~ RHODE ISLAND WOMEN SPEAK: An Anthology of Authors and Artists, The Rhode Island Committee, The National Museum of Women in the Arts (NMWA), Ed. Rosemary W. Prisco, p.19.
~ ~ ~ ~ ~